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Exlpore more Beauty quotes

"Beauty runs skin deep not on superficial assumptions or criticisms of many people. Live with a beautiful mind and heart. Live with a beautiful soul."

"If beauty is relative, then any and everything when compared to the beauty of God is absolutely hideous."

"Beauty itself is but the sensible image of the Infinite."

"The slow arrow of beauty. The most noble kind of beauty is that which does not carry us away suddenly, whose attacks are not violent or intoxicating (this kind easily awakens disgust), but rather the kind of beauty which infiltrates slowly, which we carry along with us almost unnoticed, and meet up with again in dreams; finally, after it has for a long time lain modestly in our heart, it takes complete possession of us, filling our eyes with tears, our hearts with longing. What do we long for when we see beauty? To be beautiful. We think much happiness must be connected with it. But that is an error."

"Beauty is worse than wine, it intoxicates both the holder and beholder."
Explore more quotes by Susan Sontag


"Victims suggest innocence. And innocence, by the inexorable logic that governs all relational terms, suggests guilt."


"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."


"It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin."


"Societies need to have one illness which becomes identified with evil, and attaches blame to its victims."


"Up to a point, the weight and seriousness of such photographs survive better in a book, where one can look privately, linger over the pictures, without talking. Still, at some moment the book will be closed. The strong emotion will become a transient one."


"I do not think white America is committed to granting equality to the American Negro. This is a passionately racist country; it will continue to be so in the foreseeable future."


"As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure."


"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."
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