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"I'm well into sort of Santiago Calatrava and people like that."
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"People used what they called a telephone because they hated being close together and they were scared of being alone."

"Still and all, why bother? Here's my answer. Many people need desperately to receive this message: I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone."

"People who see beauty all around them live in a beautiful world. People who see danger all around them live in a dangerous world."

"Now I don't know half of the young people in the industry. It's too spread out, too diffuse."
Explore more quotes by Sean Booth


"Working in the digital domain, you're using approximations of things; the actual sound wave never enters the equation. You deal with sections of it, and you're able to do so much more by just reducing the information to a finite amount."


"Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances."


"I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy."


"A lot of the Warp stuff has infected people's minds 'cause they're at the point where they can put tracks out, 'cause electronics are cheaper in America and kids are richer generally."


"It's claustrophobic, and I think it is to do with the amount that we're exposing people to one particular point."


"I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks."


"A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar."


"It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like."


"It just comes down to taste at the end of the day, and that's something you can't really analyze. Yeah, I think to have it all there is basically best, regardless of whether there's hiss there as well."
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