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"Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether."
May,
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"May you live to be 100 and may the last voice you hear be mine."

"Al Gore may think Medicare is at a crossroads, but his plan puts it on a highway to bankruptcy."
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"Sometimes because a woman is beautiful, she's not encouraged to be more, although she may have so much more to offer."

"Someday I suspect, when Jesus has definitely got me for a sunbeam, my works may be adequately assessed."
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"It is good for us to keep some account of our prayers, that we may not unsay them in our practice."

"You create a pile of dirt and then drive over it. We may have to learn to drive all over again."
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"You can put things off until tomorrow but tomorrow may never come."
Explore more quotes by Leo Ornstein

"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."

"I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music."

"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."

"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."
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