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"The particular refugee camp we were in, they were hungry for play, they were hungry for any kind of normalcy."
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"We just finished making a record. Everybody wants to play shows, so we're going to after that."
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"I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience."

"All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in."
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"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

"Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney."

"In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues."
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"With the art therapy, as soon as they saw the paper and crayons coming, we couldn't get it out fast enough. And we told them to draw about the tsunami."


"The particular refugee camp we were in, they were hungry for play, they were hungry for any kind of normalcy."


"We feel really blessed to have been asked to come here, and to have the opportunity for our family to be able to look into the eyes of these people, and in some way help."
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