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Charlie Hunter

"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."

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"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."

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Amber Hurdle

"If someone knew equally as much about the ins and outs of your home, it would not be your home."

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Amber Hurdle

"Don't leave home without your sword - your intellect."

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Amber Hurdle

"To a homeless man, home is literally where the heart is."

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Amber Hurdle

"The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it."

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Amber Hurdle

"Home is not where you live, but where they understand you."

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Amber Hurdle

"I always clean before the cleaning lady comes. If not, when I come home, I can't find anything. Cleaning ladies are always hiding things you leave out."

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Amber Hurdle

"My tent doesn't look like much but, as an estate agent might say, "It is air-conditioned and has exceptional location."

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Amber Hurdle

"I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom."

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Amber Hurdle

"Home wasn't a set house, or a single town on a map. It was wherever the people who loved you were, whenever you were together. Not a place, but a moment, and then another, building on each other like bricks to create a solid shelter that you take with you for your entire life, wherever you may go."

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Amber Hurdle

"Most of what gets made now, you laugh your way through, go home and forget you've seen it."

Explore more quotes by Charlie Hunter

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Charlie Hunter
"So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that."
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Charlie Hunter
"Anyone playing with you is going to change where your direction is."
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Charlie Hunter
"But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way."
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Charlie Hunter
"If we really wanted to be cool, and everyone in the world had Pro Tools, we could just put it up on the internet and everyone could make their own record out of it."
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Charlie Hunter
"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."
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Charlie Hunter
"That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos."
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Charlie Hunter
"Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer."
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Charlie Hunter
"Yeah, well, it did earlier - but as Bobby and I have played together, our thing as a unit has become so strong that they kind of had to get in where they fit in. And most people do."
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Charlie Hunter
"But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled."
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Charlie Hunter
"That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?"
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