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Charlie Hunter

"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."

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"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."

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Assegid Habtewold

"I'm very attached to Paris because I have a base there and am also recording there, but New York is home to me when I'm in the U.S., because it's nice to have a bed to go back to."

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Personal Development

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Assegid Habtewold

"The important thing about having lots of things to remember is that you've got to go somewhere afterwards where you can remember them, you see? You've got to stop. You haven't really been anywhere until you've got back home."

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Personal Development

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Assegid Habtewold

"When everyone goes home, you're stuck with yourself."

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Personal Development

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Assegid Habtewold

"The instruction we find in books is like fire. We fetch it from our neighbours, kindle it at home, communicate it to others, and it becomes the property of all."

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Assegid Habtewold

"A house from which nobody ever went away without feeling better in some way. A house in which there was always laughter."

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Assegid Habtewold

"Home is anywhere that you know all your friends and all your enemies."

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Personal Development

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Assegid Habtewold

"If I was a book, I would like to be a library book, so I would be taken home by all different sorts of kids."

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Personal Development

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Assegid Habtewold

"I've always looked for the perfect life to step into. I've taken all the paths to get where I wanted.But no matter where I go, I still come home me."

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Personal Development

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Assegid Habtewold

"The best thing we can do is to make wherever we're lost in look as much like home as we can."

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Assegid Habtewold

"So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home."

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Explore more quotes by Charlie Hunter

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Charlie Hunter
"Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive."

Music

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Charlie Hunter
"That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?"

Focus

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Charlie Hunter
"Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient."

First

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Charlie Hunter
"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."

Home

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Charlie Hunter
"But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way."

Evolution

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Charlie Hunter
"I do dig the White Stripes. I like the record they have out now."

Now

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Charlie Hunter
"The market didn't define the music; the music defined the market."

Music

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Charlie Hunter
"Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer."

Job

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Charlie Hunter
"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."

Sound

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Charlie Hunter
"So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that."

Magic

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