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John Schlesinger

"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."

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"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"I'm not interesting enough on my own that you'd want to see a film about me."

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Amber Hurdle

"I always approach film as a fan."

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Amber Hurdle

"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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Amber Hurdle

"When I finish a film, I put it away and I never look at it again."

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Amber Hurdle

"Well, Barry, it's your film. So if it rises or falls, you're the man."

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Amber Hurdle

"Here is how I work: when I think that a film needs to have a principal theme, I search for a melody."

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Amber Hurdle

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

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Amber Hurdle

"I think a film should have a gestation period of at least two or three years."

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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see.something, to be disappointed. I think he expected more from the film and himself."
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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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John Schlesinger
"No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen."
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John Schlesinger
"We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene."
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John Schlesinger
"I've never felt that using something with tongue in cheek has been a bad thing."
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John Schlesinger
"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."
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John Schlesinger
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
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John Schlesinger
"Hollywood is an extraordinary kind of temporary place."
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