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John Schlesinger

"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."

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"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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Amber Hurdle

"I like the smell of film. I just like knowing there's film going through the camera."

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Amber Hurdle

"I wanted to go to Rome. I got an offer to do an Italian film and I went."

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Amber Hurdle

"The studio should not have released this film."

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Amber Hurdle

"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."

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Amber Hurdle

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

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John Schlesinger
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
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John Schlesinger
"I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see.something, to be disappointed. I think he expected more from the film and himself."
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John Schlesinger
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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John Schlesinger
"Hollywood is an extraordinary kind of temporary place."
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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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John Schlesinger
"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."
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John Schlesinger
"No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen."
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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."
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