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"I see my face in the mirror, and I said, No, my ambition is not to be an actor."
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"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

"The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards."

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

"I've always known I wanted to be an actor. It never crossed my mind to be anything else. I think I probably decided for sure when I saw 'Sounder'."

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

"The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor."
Explore more quotes by Dino De Laurentiis

"It's a fantastic review. Sixty percent of the American reviews are sensational, 20% are mixed, not so good."

"Nobody taught Picasso how to paint - he learned for himself. And nobody can teach you to be a producer. You can learn the mechanics, but you can't learn what's right about a script or a director or an actor. That comes from instinct and intuition. It comes from inside you."

"After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world."

"If you get a book which is 600 pages, you have to reduce it to a script of 100 pages. In two hours of film, you cannot possibly include all the characters."

"I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters."

"The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love."
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