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"Prior to Elephant I'd taken about six years of acting classes in Portland, but there's not a huge market there. The only thing we have is commercial stuff, and that didn't really appeal to me. So this is really a dream come true."
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"When the white arm rests upon the knee it is a triangle; now it is upright - a column; now a fountain, falling. It makes no sign, it does not beckon, it does not see us. Behind it roars the sea. It is beyond our reach. Yet there I venture. There I go to replenish my emptiness, to stretch my nights and fill them fuller and fuller with dreams. And for a second even now, even here, I reach my object and say, "Wander no more. All is trial and make-believe. Here is the end."
"They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each others' faces, and hear whatever they chanced to say."
"An artist is a dreamer consenting to dream of the actual world."
"Don't open that door," she said. "The hallway is full of difficult dreams." And I asked her: "How do you know?" And she told me: "Because I was there a moment ago and I had to come back when I discovered I was sleeping on my heart."
"The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind."
"Dreams are often most profound when they seem the most crazy."
"She was someone's dream, who just chose to show up in someone else's sleep."
Explore more quotes by John Robinson
"Columbine was so frightening. And the media took off with it, like everything else, so it instilled more fear in people. You're looking around at school for kids like the ones who committed the shootings, and you feel wrong for doing that, you know?"
"It was just crazy opportunity to see that whole world and the competitions that we had in the film, like Long Beach, it was just crazy and so much fun. I felt like I lived all those moments in the movie."
"Stacy had this more fluid style. You meet him, he's just such a nice guy. Tony's an awesome guy too, but back then, he was a real aggressive kid and they were in such a different place. Stacy was so sensitive and at the same time so competitive when it came to his skating."
"So for me having that element of being able to be competitive wasn't a problem. I'm very competitive. I thought if I could skate first, acting would come second. I could say my lines and then go do what I was saying. You don't have to fake it, you're not really acting."
"Tony, Stacy and Jay really looked at life completely different and that played into everything that they did, whether it was skating or with their friendships. And for the three of us, we had such a close relationship off screen, that it was so easy to have that on screen."
"If you don't know how to hold a board, you're going to look phony. That's was the biggest pressure for me was to have that respect and to look up to that."
"With Stacy, it was interesting because you know he was within all this chaos, all these different lives that were so broken and so much anger and so much frustration and their skating came out of that, their different styles came out of that."
"I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened."
"I felt like I was betraying my family. But I knew that trying to explain my emotions in a movie like this was more important than leaving them unspoken."
"Prior to Elephant I'd taken about six years of acting classes in Portland, but there's not a huge market there. The only thing we have is commercial stuff, and that didn't really appeal to me. So this is really a dream come true."
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