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James Laughlin

"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."

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"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."

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Amber Hurdle

"Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that."

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Amber Hurdle

"June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that."

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Amber Hurdle

"As far as now I can tell that most Stephen King fans don't know him well. They have read or viewed few works and their judge is based on them... that's now well knowing a writer!"

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Amber Hurdle

"Although I love elegant parties, dancing and dining and spending the night with a sweet woman in my arms, my life belongs to literature."

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Amber Hurdle

"Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. Napoleon was just a general of forgotten battles compared with the queen who paid for Shakespeare's meals and beer in the tavern. The statesman who in his time freed the slaves, even he has a few enemies in posterity, whereas the literary patron has none. We thank Gaius Maecenas for the nobility of soul we attribute to Virgil; but he isn't blamed for the selfishness and egocentricity that the poet possessed. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen."

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Amber Hurdle

"Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack."

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Amber Hurdle

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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Amber Hurdle

"Gently the waves would break (Lily heard them in her sleep); tenderly the light fell (it seemed to come through her eyelids). And it all looked, Mr. Carmichael thought, shutting his book, falling asleep, much as it used to look years ago."

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Amber Hurdle

"I read it a lot, whenever I find it in a library. Partly because I find new things every time I read it, but also because these BOOKS are always there for me. All of them are there for me. My life changes all the time, but books don't change. My reading of them changes-I can bring new things to them each time. But the words are familiar words. The world is a place you've been before, and it welcomes you back."

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Amber Hurdle

"This morning I took out a comma and this afternoon I put it back again."

Explore more quotes by James Laughlin

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James Laughlin
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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James Laughlin
"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."
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James Laughlin
"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."
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James Laughlin
"Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important."
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James Laughlin
"It's all well and good to say that Germans were all responsible for the concentration camps, but I don't think they were. I think that was the work of a small group of fiends."
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James Laughlin
"I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage."
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James Laughlin
"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."
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James Laughlin
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."
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James Laughlin
"The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably."
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James Laughlin
"We don't attempt to have any theme for a number of the anthology, or to have any particular sequence. We just put in things that we like, and then we try to alternate the prose and the poetry."
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