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Chiaki Kuriyama

"I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really."

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"I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really."

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Akiroq Brost

"I believe we are now in a struggle over whether or not we are going to save America."

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Akiroq Brost

"Americans adore me and will go on adoring me until I say something nice about them."

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Akiroq Brost

"I keep forgetting I'm speaking in an American accent sometimes. The dangerous thing is that you end up forgetting what your real accent is after a while! It's really strange; I've never done a job in an American accent before."

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Akiroq Brost

"Dr. Martin Luther King is not a black hero. He is an American hero."

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Akiroq Brost

"America is not a blanket woven from one thread, one color, one cloth."

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Akiroq Brost

"We teach young kids from 8 to 14 or 15 about their musical heritage through great songs written by American songwriters. We don't do too many modern composers, although we include songs from Billy Joel and other writers like him."

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Akiroq Brost

"What America demands in her black champions is a brilliant, powerful body and a dull, bestial mind."

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Akiroq Brost

"An American cannot converse, but he can discuss, and his talk falls into a dissertation. He speaks to you as if he was addressing a meeting; and if he should chance to become warm in the discussion, he will say "Gentlemen" to the person with whom he is conversing."

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Akiroq Brost

"It would not be fair to the critics of Rotary, who include some of the most brilliant of the British and American writers, to charge them with prejudice."

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Akiroq Brost

"We're at the crossroads. Down one road is a European centralized bureaucratic socialist welfare system in which politicians and bureaucrats define the future. Down the other road is a proud, solid, reaffirmation of American exceptionalism."

Explore more quotes by Chiaki Kuriyama

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Chiaki Kuriyama
"I certainly look at them very differently now, and enjoy Jackie Chan movies and movies like that."
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Chiaki Kuriyama
"My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think."
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Chiaki Kuriyama
"It was pretty much the way that it was when I first read it, although one exception would be that some ideas that I had were also incorporated into the script."
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Chiaki Kuriyama
"I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories."
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Chiaki Kuriyama
"Julie Dryfus and I were both afraid of heights and in one scene, I had to be quite high up and I was rather terrified, but Julie was very kind, encouraging me and we got through that together."
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Chiaki Kuriyama
"A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime."
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Chiaki Kuriyama
"I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie."
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Chiaki Kuriyama
"I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning."
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Chiaki Kuriyama
"We started with the basics of kicking and punching, then we moved on once we got proficient in that, we moved on to working with the weapons, and from then on working with the wires."
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Chiaki Kuriyama
"Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood."
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