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"Contemporary poetry is a kind of Reykjavik, a place where accessibility and intelligence have been fighting a Cold War by proxy for the last half-century."
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"I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."
"Writers may be classified as meteors, planets, and fixed stars. They belong not to one system, one nation only, but to the universe. And just because they are so very far away, it is usually many years before their light is visible to the inhabitants of this earth."
"Walter Scott has no business to write novels, especially good ones. - It is not fair. - He has fame and profit enough as a poet, and should not be taking the bread out of other people's mouths. - I do not like him, and do not mean to like Waverley if I can help it - but fear I must."
"This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant."
"I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'"
"In our Impulsive nature to write and repulsive nature to read that has led to a decline in literary genius in our times!"
"You could fire a machine gun randomly through the pages of Lord of the Rings and never hit any women."
"I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world."
"Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives."
"Fictional people are people, too, otherwise why would we care what happens to them?"
Explore more quotes by Nick Hornby
"I don't want my books to exclude anyone, but if they have to, then I would rather they excluded the people who feel they are too smart for them!"
"I'm not the smartest guy in the world, but I'm certainly not the dumbest. I mean, I've read books like "The Unbearable Lightness of Being" and "Love in the Time of Cholera", and I think I've understood them. They're about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash's autobiography "Cash" by Johnny Cash."
"We have all lived through that shriveling moment when a parent walks into a room and repeats, with sardonic disbelief, a couplet picked up from the stereo or the TV. 'What does that mean, then?' my mother asked me during Top of the Pops. "Get it on / Bang a gong"? How long did it take him to think of that, do you reckon?' And the correct answer - 'Two seconds, and it doesn't matter' - is always beyond you, so you just tell her to shut up, while inside you're hating Marc Bolan for making you like him even though he sings about getting it on and banging gongs."
"And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do."
"One day, maybe not in the next few weeks, but certainly in the conceivable future, someone will be able to refer to me without using the word 'arse' somewhere in the sentence."
"A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down."
"Jess thought for a moment. 'You know those films where people fight up the top of the Empire State Building or up a mountain or whatever? And there's always that bit when the baddie slips off and the hero tries to save him, but, like, the sleeve of this jacket tears off and goes over and you hear him all the way down. Aaaaaaaaagh. That's what I want to do.' 'You want to watch me plunge to my doom.' 'I'd like to know that I've made the effort. I want to show people the torn sleeve."
"We get together with people because they're the same or because they're different, and in the end we split with them for exactly the same reasons."
"That's the trouble with good writers. Only the bad ones make you want to do the human thing and look away."
"So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time."
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