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Karlheinz Stockhausen

"Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public."

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"Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public."

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Explore more quotes by Karlheinz Stockhausen

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Karlheinz Stockhausen
"Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo."
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Karlheinz Stockhausen
"Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him."
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Karlheinz Stockhausen
"I became aware that all sounds can make meaningful language."
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Karlheinz Stockhausen
"But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore."
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Karlheinz Stockhausen
"Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing."
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Karlheinz Stockhausen
"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."
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Karlheinz Stockhausen
"And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me."
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Karlheinz Stockhausen
"I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus."
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Karlheinz Stockhausen
"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."
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Karlheinz Stockhausen
"Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm."
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