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Debbie Allen

"The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then."

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"The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then."

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Asa Don Brown

"Michael Ralph brilliantly plays the street prophet, a West Indian who foreshadows the Harlem riot."

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Asa Don Brown

"The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then."

Explore more quotes by Debbie Allen

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Debbie Allen
"Time management is a big part of the director's job."
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Debbie Allen
"Making this movie was a great opportunity for me to explore high-definition. I'm glad I got to see what the challenges are, what makes it better. It works wonderfully."
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Debbie Allen
"In scoring we have a lot that was not evident in the shooting. The radio is on all the time."
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Debbie Allen
"Everything has to be well thought out - what do you really need, when can you do with less coverage."
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Debbie Allen
"I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it."
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Debbie Allen
"The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that."
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Debbie Allen
"But out of limitations comes creativity."
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Debbie Allen
"There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work."
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Debbie Allen
"I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director."
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Debbie Allen
"It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage."
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