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"To feel everything in every way; to be able to think with the emotions and feel with the mind; not to desire much except with the imagination; to suffer with haughtiness; to see clearly so as to write accurately; to know oneself through diplomacy and dissimulation; to become naturalized as a different person, with all the necessary documents; in short, to use all sensations but only on the inside, peeling them all down to God and then wrapping everything up again and putting it back in the shop window like the sales assistant I can see from here with the small tins of a new brand of shoe polish."
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"There are poets,there are philosophers, there are spiritualists and me. I try to foot the bill of these mighty three."

"The word in your mouth is anarchy."

"And the poem, I think, is only your voice speaking."

"I've given offense by saying I'd as soon write free verse as play tennis with the net down."

"Words make known. But we live in the unknown."

"There are many things which can not be expressed by words. There are many words which can not be spelled by human tongue. There are many tongues which utter one single truth."

"Hunger is a wayOf standing outside windowsThe entering takes away."

"Neither Aristotelian nor Russellian rules give the exact logic of any expression of ordinary language; for ordinary language has no exact logic."

"Actions are the first tragedy in life, words are the second. Words are perhaps the worst. Words are merciless."
Explore more quotes by Fernando Pessoa

"With slight misconceptions of reality we fabricate our hopes and beliefs, and we live off crusts that we call cakes, like poor children who make-believe they're happy."

"I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, than with many supposedly real people with the metaphysical absurdity known as 'flesh and blood'. In fact, 'flesh and blood' describes them very well: they resemble cuts of meat laid out on the butcher's marble slab, dead creatures bleeding as though still alive."

"I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing: it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think, I finish because I don't have the courage to quit. This book is my cowardice."

"In this world we're all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us, we should treat each other therefore with the friendliness due to fellow travelers."

"A tree's shade is worth more than the knowledge of truth, my sons, for a tree's shade is true while it lasts, and the knowledge of truth is false in its very truth. The leaves' greenness is worth more, for a right understanding, than a great thought, for the leaves, greenness is something you can show others, but you can never show them a great thought. We are born without knowing how to talk and we die without having known how to express ourselves. Our life runs its course between the silence of one who cannot speak and the silence of one who wasn't understood, and around it hovers - like a bee where there are no flowers - a useless, inscrutable destiny."

"But if the Dream Kings were mine, what would I have to dream about? If I possessed the impossible landscapes, what would remain of the impossible?"

"I don't even suffer. My disdain for everything is so complete that I even disdain myself. The contempt I have for the sufferings of others I also have for my own. And so all my suffering is crushed under the foot of my disdain."

"Everything is interconnected. My readings of classical authors, who never speaks of sunsets, have made many sunsets intelligible to me, in all their colors. There is a relationship between syntactical competence, by which we distinguish the values of beings, sounds and shapes, and the capacity to perceive when the blue of the sky is actually green, and how much yellow is in the blue green of the sky. It comes down to the same thing - the capacity to distinguish and to discriminate. There is no enduring emotion without syntax. Immortality depends of the grammarians."
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