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Exlpore more People quotes
"I read some, and then visited with people involved in this curious, exciting and somewhat misunderstood sub-culture. I met with a fang maker, who offered to fit me for an exquisite pair."
"There is always something infinitely mean about other people's tragedies."
"I am attracted to people who make this effort in knowing what suits them - they are individual and stylish."
"Now how many people in their heart of hearts in that community want to see the demise of this country? How many would cheer, not out loud maybe, but in their heart when things like 9/11 occur and I'll tell you; it's a majority among them."
"Well, of course, people are only human... But it really does not seem much for them to be."
"Well, first, the situation in Afghanistan is much better than it was. But there is no comparison between Afghanistan and Iraq. Iraq has a bureaucracy, Iraq has wealth. Iraq has an educated class of people who are positioned to come in and take over."
"The end was surely near. The Nazis killed you only when you were naked, because they knew, psychologically, that naked people never resist."
Explore more quotes by Luc Ferrari
"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."
"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
"My sisters were going out with artists and poets, and eventually it was the creative world which attracted me."
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