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Andrzej Wajda

"Eventually, the state's funding covered only the stages leading to presenting a film project to potential funding bodies. It was enough to produce a script, indicate casting and put together a budget to present it all, but nothing beyond that."

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"Eventually, the state's funding covered only the stages leading to presenting a film project to potential funding bodies. It was enough to produce a script, indicate casting and put together a budget to present it all, but nothing beyond that."

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"Looper is another great film."

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"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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"So I used formal techniques to make the film more perceptive emotionally."

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"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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"I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way."

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"'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable."

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Donna Grant

"When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release."

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Andrzej Wajda
"We expected that people were just waiting for the collapse of the Soviet Union, or at least for its retreat, and they were going to be full of initiative in all areas of life - in culture, in economy and in politics."
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Andrzej Wajda
"On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film."
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Andrzej Wajda
"In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one."
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Andrzej Wajda
"A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking."
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Andrzej Wajda
"When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it."
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Andrzej Wajda
"In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way."
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Andrzej Wajda
"Even better, there were established two separate committees deciding on state film funding."
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Andrzej Wajda
"Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past."
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Andrzej Wajda
"Eventually, the state's funding covered only the stages leading to presenting a film project to potential funding bodies. It was enough to produce a script, indicate casting and put together a budget to present it all, but nothing beyond that."
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Andrzej Wajda
"However, that old mode of Polish filmmaking virtually disappeared."
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