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Neil Jordan

"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."

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"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."

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Amber Hurdle

"All the stories I'll ever need are right here on Main Street."

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Amber Hurdle

"So I believe in the redeeming power of stories, I believe that stories are incredibly important, possibly in ways we don't understand, in allowing us to make sense of our lives, in allowing us to escape our lives, in giving us empathy and in creating the world that we live in."

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Amber Hurdle

"Without archives many stories of real people would be lost, and along with those stories, vital clues that allow us to reflect and interpret our lives today."

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Amber Hurdle

"The best stories will come from jail, the people which are in the prison, also and from the victims."

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Amber Hurdle

"Reading yourself as a fiction as well as a fact is the only way to keep the narrative open - the only way to stop the story from running away under its own momentum, often towards an ending no one wants."

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Amber Hurdle

"Writing the story of their own life allows the author to parse their story into examinable segments while continuing to engage in the act of communion and creation."

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Amber Hurdle

"Other people's stories may become part of your own, the foundation of it, the ground it goes on."

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Amber Hurdle

"People think that stories are shaped by people. In fact, it's the other way around."

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Amber Hurdle

"This is the story of a man named Eddie and it starts at the end, with Eddie dying in the sun. It may seem strange to start a story with and ending, but all endings are also beginnings. We just don't know it at the time."

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Amber Hurdle

"The Curious Case of Benjamin Button", great story, great film."

Explore more quotes by Neil Jordan

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Neil Jordan
"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."
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Neil Jordan
"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."
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Neil Jordan
"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."
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Neil Jordan
"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."
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Neil Jordan
"I can't do a film if I don't start with the writing."
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Neil Jordan
"I'm less comfortable making American movies because I don't know them so well."
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Neil Jordan
"I mean I grew up in Ireland, so one would have to be consciously blinkered not to have reflected on the issue of political violence because that was the story since I was 19 years old or 20."
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Neil Jordan
"I took two years away from making films to write a novel."
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Neil Jordan
"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."
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Neil Jordan
"No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film."
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