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Exlpore more Story quotes
"Without archives many stories of real people would be lost, and along with those stories, vital clues that allow us to reflect and interpret our lives today."
"So I believe in the redeeming power of stories, I believe that stories are incredibly important, possibly in ways we don't understand, in allowing us to make sense of our lives, in allowing us to escape our lives, in giving us empathy and in creating the world that we live in."
"In the room...they are inside the books. They move sometimes within the pages, like sleepers turning over between two dreams."
"The Doktor was very vond, I mean fond of Vluffy, so he gave him a flame-proof doggie-jacket. It was dull grey, but it had a tartan pattern on it. Vluffy liked his doggie-jacket and wore it all the time. When things went 'bang' he could just roll over, dust himself off and quickly scamper off with the doggie jacket flapping on his back. So in short, Vluffy was a very happy little dog who spent a lot of his time hiding under furniture. But the point is that he'd had a lot of time. Much more than those who went (up in smoke) before him."
"It's entirely possible to base an entire book on a long-forgotten letter."
"All the stories I'll ever need are right here on Main Street."
"Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams. From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness. Plus ça change, plus c’est la même chose."
Explore more quotes by Neil Jordan
"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."
"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."
"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."
"For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on."
"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."
"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."
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