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Neil Jordan

"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."

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"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."

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Amber Hurdle

"The novelist defines the story with the following example: If you are told that the king died and then the queen died, that is a sequence of events. If you were told that the king died and then the queen died of grief, that is a story that he was interested."

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Amber Hurdle

"In the room...they are inside the books. They move sometimes within the pages, like sleepers turning over between two dreams."

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Amber Hurdle

"One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it."

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Amber Hurdle

"Reading yourself as a fiction as well as a fact is the only way to keep the narrative open - the only way to stop the story from running away under its own momentum, often towards an ending no one wants."

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Amber Hurdle

"Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams. From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness. Plus ça change, plus c’est la même chose."

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Amber Hurdle

"Writers use both their blood and their brains to explore the darkest recesses of their pooling self. Writing allows us to harness the whimsy of the collaborative mind and body, pull our tissue apart like taffy, and expose the composition of our life sustaining organs. Telling our personal story forces us to account for any actions that made us laugh, cry, scream and shout, or hide behind a cloak of mootness. Critical examination of the self allows one to disintegrate the envelope of their present personality and make up a new imaging."

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Amber Hurdle

"So I believe in the redeeming power of stories, I believe that stories are incredibly important, possibly in ways we don't understand, in allowing us to make sense of our lives, in allowing us to escape our lives, in giving us empathy and in creating the world that we live in."

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Amber Hurdle

"Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place."

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Amber Hurdle

"But we don't run on facts. We run on stories about things. About people."

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Amber Hurdle

"The Words 2012, one world is ruin and one new world is build. One twisted pictures, one couple which loved each other... just their relationship dies... And another person just steal somebody's life and then he finds the truth..."

Explore more quotes by Neil Jordan

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Neil Jordan
"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."
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Neil Jordan
"For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on."
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Neil Jordan
"When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary."
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Neil Jordan
"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
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Neil Jordan
"I can't do a film if I don't start with the writing."
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Neil Jordan
"I mean I grew up in Ireland, so one would have to be consciously blinkered not to have reflected on the issue of political violence because that was the story since I was 19 years old or 20."
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Neil Jordan
"Initially with The Butcher Boy, there was this kid growing up in this strange, weird environment that I remember from when I was a kid. And Patrick's vision was so complete there."
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Neil Jordan
"But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened."
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Neil Jordan
"Well, Company of Wolves was about that literally, about fairy tales."
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Neil Jordan
"I took two years away from making films to write a novel."
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