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"Artists are cannibals. We consume other artists, and they become part of us-flesh and bone-only to be spewed out again in our own works."
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"There is nothing glorious about creating life out of passionate penetration. Even the animals can do that. The real glory comes when the life you create becomes the help in the lives of countless other humans."

"We create things to watch them grow, Ruin, she said. To take pleasure in seeing that which we love become more than it was before."

"Because you thought love was just gonna be there. You weren't taught that it had to be made, it had to be mixed, kneaded, recycled. Over and over, you have to keep creating it. Over and over with everyone you love. Over and over."

"It's easy to attack and destroy an act of creation. It's a lot more difficult to perform one."

"Life is like a painting. Imagine it, hit and try drawing with the pencil of first steps, fill in the colors of happiness, correct the mistakes with eraser of love and forgiveness; thus, one dream project is accomplished. Create such masterpieces just like that."

"The source calls to you. Find a quiet place and listen for the voice of creation. Look upon the horizon and see the future of your new life, where you are again a natural soul living in joy and peace."
Explore more quotes by Siri Hustvedt

"But all attractions are alike,' he said. 'They come from an emptiness inside.' He hammered on this chest with his index finger. 'Something's missing and you have to fill it. Books, paintings, people, they're all the same...''A lot of people do without books and paintings.''True,' he said, 'but that doesn't affect the argument.' Paris turned his head to one side and chewed on his lip. 'Of course, nothing ever does the trick. Nobody's really satisfied for long."

"Creativity has always depended on openness and flexibility, so let us hope for more of both in the future."

"There is no perception without memory. But good art surprise us. Good art reorients our expectations, forces us to break the pattern, to see in a new way."

"Ture stories can't be told forward, only backward. We invent them from the vantage point of an ever-changing present and tell ourselves how they unfolded."

"It's hard to penetrate characters who are very cut off and lack empathy and to do it with sympathy. It's so easy to make a damaged character repugnant."

"If something's not working, it's wonderful to have a reader you can trust to say, 'Actually, you've gone off the deep end here'."

"Old places fire the internal weather of our pasts. The mild winds, aching calms, and hard storms of forgotten emotions return to us when we return to the spots where they happened."

"The stories and pictures I make for the lives of the people closest to me are the forms of my empathy."

"The truth is that what fascinates me is not so much being in a place as not being there: how places live in the mind once you have left them, how they are imagined before you arrive, or how they are seemingly called out of nothing to illustrate a thought or story like my tree down yonder. These mental spaces map our Innes lives more fully than any "real" map, delineating the borders of here and there that also shape what we see in the present."
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