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"Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that."
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"Love deep is inexhaustible like a vast ocean."
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"The Phantom, as well as being backed up by that music, it just so was a role that I identified with so powerfully. From the first second that I walked on to perform."
"I was getting to bed about 10 P.M. so wound up and not getting to sleep by 11, and because I was putting the prosthetics on for five hours, I had to be up at 3 in the morning."
"Choosing the right mask helps you... We went through many masks. It was very particular leather that as soon as you smudged it, you had to get a new one. We went through about 55 masks."
"I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me."
"I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role."
"I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom."
"By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from."
"I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber."
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