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Jay Roach

"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Amber Hurdle

"When you direct your first film, you always start by telling stories that you are familiar with."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"I'm not interesting enough on my own that you'd want to see a film about me."

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Amber Hurdle

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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Amber Hurdle

"I always approach film as a fan."

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Amber Hurdle

"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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Amber Hurdle

"This is unexposed film of Greenwich Village because nothing ever happens there."

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Amber Hurdle

"Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about."

Explore more quotes by Jay Roach

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Jay Roach
"The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we're just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A."
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Jay Roach
"I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves."
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Jay Roach
"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."
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Jay Roach
"As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has."
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Jay Roach
"I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there."
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Jay Roach
"My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone."
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Jay Roach
"I think sequels should be earned and we won't do it unless the script is better than the first one."
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Jay Roach
"Because I actually find the next take after they've controlled it a little bit and repressed the laughter is actually a really interesting take, because that's still going on underneath the surface. That struggle to maintain composure becomes part of the joy of the scene."
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Jay Roach
"Sometimes I would like the opportunity to do character-driven comedy and that's really what I was trying to do in Meet The Parents. I think in a way this is a more old fashioned type of comedy."
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Jay Roach
"My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy."
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