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Andy Goldsworthy

"The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it."

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"The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it."

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Amber Hurdle

"I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try."

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"Movies can be instruments of enlightenment."

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Amber Hurdle

"Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition."

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Amber Hurdle

"Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space."

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Amber Hurdle

"The goal of art was the vital expression of self."

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Amber Hurdle

"The mediator of the inexpressible is the work of art."

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Amber Hurdle

"Spent the fortnight gone in the music room reworking my year's fragments into a 'sextet for overlapping soloists': piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor; in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late."

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Amber Hurdle

"When whisperedwhat an exquisitesong, it makes-your name."

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Amber Hurdle

"A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved."

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Amber Hurdle

"It would have to be connected with performance art somehow, either in the front of the house or the back. I was myopic about this from fourth grade on."

Explore more quotes by Andy Goldsworthy

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Andy Goldsworthy
"Winter makes a bridge between one year and another and, in this case, one century and the next."
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Andy Goldsworthy
"It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store."
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Andy Goldsworthy
"As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone."
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Andy Goldsworthy
"Not being able to touch is sometimes as interesting as being able to touch."
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Andy Goldsworthy
"People also leave presence in a place even when they are no longer there."
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Andy Goldsworthy
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
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Andy Goldsworthy
"People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city."
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Andy Goldsworthy
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
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Andy Goldsworthy
"I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another."
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Andy Goldsworthy
"Snow provokes responses that reach right back to childhood."
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