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"My style is a very universal sound, which is very close to where I grew up."
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"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."

"Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes."

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."

"I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie."

"I don't try to sound like anyone but me anymore. If something is out of my element, I try to avoid it."

"It's the group sound that's important, even when you're playing a solo."

"Let's get one thing straight: there's no such thing as the Bristol sound."
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"And for me, it's been, not only where I learned, but the people that I met there. Most of the people that I work with are guys that, one way or another, have been associated with the university."

"So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me."
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