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"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."
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"Be different to make a difference."
"The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience."
"They hate you not because of what you have done but because of who you are; you are different from who they are, and you are occupying the ground they want for themselves."
"There is but an inch of difference between a cushioned chamber and a padded cell."
"I wish I could believe that one person could make a difference."
"The major difference between a thing that might go wrong and a thing that cannot possibly go wrong is that when a thing that cannot possibly go wrong goes wrong it usually turns out to be impossible to get at and repair."
"It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement."
"There is a great advantage in training under unfavorable conditions. It is better to train under bad conditions, for the difference is then a tremendous relief in a race."
"The difference between an optimist and a pessimist? An optimist laughs to forget, but a pessimist forgets to laugh."
"The fact that that's the difference between Mexicans and Cubans is pronounced. It's so immediately recognizable, the way a Cuban speaks, the way a Cuban moves the hands."
Explore more quotes by Bille August
"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."
"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."
"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."
"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."
"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."
"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."
"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."
"From the beginning, we were prepared, we know how we would shoot and cut the two versions."
"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."
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