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Richard Foreman

"I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school."

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"I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school."

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Amber Hurdle

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

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Amber Hurdle

"The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards."

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Amber Hurdle

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

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Amber Hurdle

"I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy."

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Amber Hurdle

"I've always known I wanted to be an actor. It never crossed my mind to be anything else. I think I probably decided for sure when I saw 'Sounder'."

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Amber Hurdle

"You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters."

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Amber Hurdle

"Today some actors get a little full of themselves about what they're doing."

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Amber Hurdle

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

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Amber Hurdle

"The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor."

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Amber Hurdle

"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."

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Richard Foreman
"Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits."
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Richard Foreman
"All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language."
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Richard Foreman
"As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional."
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Richard Foreman
"Now, when I started my theater, the modus operandi was having the actors stare right into the audience."
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Richard Foreman
"I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do."
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Richard Foreman
"What really happened was one day I decided to write a new kind of play."
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Richard Foreman
"From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything."
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Richard Foreman
"It's true, I don't like the real world."
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Richard Foreman
"I'm there to make a kind of theatrical music that is desperately missing in my life. And if other people don't like it, I'm very unhappy, but I can't do anything about that."
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Richard Foreman
"If I wasn't in the theater, I would be a hermit."
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