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Satyajit Ray

"The director is the only person who knows what the film is about."

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"The director is the only person who knows what the film is about."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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Amber Hurdle

"My husband. He keeps me grounded. If I were in the world on my own, it would all be much more seductive. But I'm in a relationship that has nothing to do with the film world."

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Amber Hurdle

"I like the smell of film. I just like knowing there's film going through the camera."

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Amber Hurdle

"I wanted to go to Rome. I got an offer to do an Italian film and I went."

Explore more quotes by Satyajit Ray

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Satyajit Ray
"I was interested in both Western and Indian classical music."
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Satyajit Ray
"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."
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Satyajit Ray
"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."
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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."
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Satyajit Ray
"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."
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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."
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Satyajit Ray
"I think they quite like me when I work because I'm one of the safer directors to back, because even if my films don't bring their costs in back home, once they're shown outside of India they manage to cover the costs."
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Satyajit Ray
"I mix Indian instruments with Western instruments all the time."
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Satyajit Ray
"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."
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Satyajit Ray
"At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music."
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