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Satyajit Ray

"The director is the only person who knows what the film is about."

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"The director is the only person who knows what the film is about."

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Asa Don Brown

"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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Asa Don Brown

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

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Asa Don Brown

"Looper is another great film."

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"Film gives us a second chance at a first impression."

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Asa Don Brown

"Film-makers must decide what story to tell and how to tell it."

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Asa Don Brown

"When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad."

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Asa Don Brown

"And that's another reason to make this movie: We can put plays on film now, at a relatively small cost, and they will reach an audience they would never have reached otherwise."

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Asa Don Brown

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."

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Asa Don Brown

"We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed."

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Asa Don Brown

"The 1980s really ended for me in 1992 with the film Kika."

Explore more quotes by Satyajit Ray

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Satyajit Ray
"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."
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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."
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Satyajit Ray
"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."
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Satyajit Ray
"I mix Indian instruments with Western instruments all the time."
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Satyajit Ray
"Ever since Two Daughters I've been composing my own music."
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Satyajit Ray
"I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it."
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Satyajit Ray
"The only solutions that are ever worth anything are the solutions that people find themselves."
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Satyajit Ray
"What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure."
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Satyajit Ray
"The conception of background music is changing. You use less and less of it these days."
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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."
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