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Diana Gabaldon

"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."

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"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."

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Amber Hurdle

"Do not allow hate to consume you. Live a life of love."

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Amber Hurdle

"Embrace all souls from every nation with love."

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Amber Hurdle

"Wellsted will remember this moment for the rest of his life. It is the first time he desires something for himself that is not dedicated to his own advancement. It is the moment he falls in love."

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Amber Hurdle

"It's easy to convince men to love you, Puck. All you have to do is be a mountain they have to climb or a poem they don't understand. Something that makes them feel strong or clever. It's why they love the ocean."

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Amber Hurdle

"Doubt thou the stars are fire, Doubt that the sun doth move. Doubt truth to be a liar, But never doubt I love."

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Amber Hurdle

"Love is deep spiritual affection in two souls but one spirit."

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Amber Hurdle

"Fear is the greatest enemy; the father of all suffering, and love is the only cure for humanity's great afflictions."

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Amber Hurdle

"If we love God, we will love another. Love is God."

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Amber Hurdle

"It is a great joy to love and be loved."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"Brave' covers everything from complete insanity and bloody disregard of other people's lives - generals tend to go in for that sort - to drunkenness, foolhardiness, and outright idiocy - to the sort of thing that will make a man sweat and tremble and throw up . . . and go and do what he thinks he has to do anyway."
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Diana Gabaldon
"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."
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Diana Gabaldon
"One of the general patterns of good (i.e., striking and memorable) writing is the effect of repetition. If you use a certain element-a plot device, an image, a noticeable phrase-once, readers may or may not notice it consciously, but it doesn't disturb the flow of their reading. If you use that element twice, they won't notice it consciously-but they will notice it subconsciously, and it will add to the resonance of the writing or to their sense of depth and involvement (and if it's a plot device, it will heighten the dramatic tension). But if you use that element three times, everybody will notice it the third time you do it."
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Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."
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Diana Gabaldon
"I put back my head, looking up at the deep black sky swimming with hot stars. If you knew they were really balls of flaming gas, you could imagine them as Van Gogh saw them, without difficulty . . . and looking into that illuminated void, you understood why people have always looked up into the sky when talking to God. You need to feel the immensity of something very much bigger than yourself, and there it is - immeasurably vast, and always near at hand. Covering you."
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Diana Gabaldon
"For the moment, everything had disappeared: the church, the battle, the screams and shouts and the rumble of limber wheels along the rutted road through Freehold. There wasn't anything but her and him, and he opened his eyes to look on her face, to fix it in his mind forever."
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Diana Gabaldon
"The law's a necessary evil--we canna be doing without it--but do ye not think it a poor substitute for conscience?"
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Diana Gabaldon
"Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own."
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Diana Gabaldon
"Conflict and character are the heart of good fiction, and good mystery has both of those in spades."
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Diana Gabaldon
"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."
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