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Diana Gabaldon

"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."

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"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."

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Amber Hurdle

"I never wanted children. If I'd been deeply in love with a man and he'd wanted children, it would have been difficult."

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Amber Hurdle

"The fact is that love is of two kinds, one which commands, and one which obeys. The two are quite distinct, and the passion to which the one gives rise is not the passion of the other."

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Amber Hurdle

"In Christ the middle wall of partition has been broken down. There is no Jew, no Gentile-no black, white, yellow, or red. We could be one great brotherhood in Jesus Christ. However, until we come to recognize Him as the Prince of Peace and receive His love in our hearts, the racial tensions will increase, racial demands will become more militant, and a great deal of blood will be shed. The race problem could become another flame out of control!"

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Amber Hurdle

"The proof of true love for God is in service to others."

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Amber Hurdle

"Anyway, the sort of love that will not wait is probably best to pass by."

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Amber Hurdle

"Even if the two lovers are mature and experienced people who know that broken hearts heal in the end and can clearly foresee that, if they once steeled themselves to go through the present agony of parting, they would almost certainly be happier ten years hence than marriage is at all likely to make them - even then, they would not part."

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Amber Hurdle

"When a man must force himself to be faithful in his love, this is hardly better than unfaithfulness."

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Amber Hurdle

"But it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it."

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Amber Hurdle

"Love is the light and source of life, and happiness is the delight and essence of life."

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Amber Hurdle

"The love has got to be bigger than everything else. The isolation, the separation, the danger. When the love is bigger than all of that ' you just do it. You pay the price in uncertainty and sometimes bereavement, because every moment you're together is worth the cost."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"Don't go overboard in avoiding "said. Basically, "said is the default for dialogue, and a good thing, too; it's an invisible word that doesn't draw attention to itself."
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Diana Gabaldon
"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."
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Diana Gabaldon
"Good sex scene is about the exchange of emotions, not bodily fluids."
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Diana Gabaldon
"You have lost your mind,"Jamie said coldly, the shock receding slightly. "Or I should think you had, if ye had one to lose."
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Diana Gabaldon
"He has cat blood, I reflected sourly, no doubt that was how he managed to sneak up on me in the darkness."
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Diana Gabaldon
"Ian, man, I didna tell ye because I didna wish to lose you too. My brother was gone, and my father. I didna mean to lose my own heart's blood as well. For you are dearer to me even than home and family, love.'She cast a lopsided smile at Jamie. 'And that's saying quite a bit."
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Diana Gabaldon
"Its appearance was greeted with cries of rapture, and following a brief struggle over possesion of the volume, William rescued it before it should be torn to pieces, but allowed himself to be induced to read some of the passages aloud, his dramatic rendering being greeted by wolflike howls of enthusiasim and hails of live pits."
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Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."
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Diana Gabaldon
"Conflict and character are the heart of good fiction, and good mystery has both of those in spades."
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Diana Gabaldon
"After all, I thought, what were days and weeks in the presence of eternity?"
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