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"The very idea of a library for me is bound to my mother and father and includes the history of my own metamorphosis through books, fictions that are no less part of me than much of my own history."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
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Personal Development

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
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Personal Development

"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
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Personal Development

"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
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Personal Development

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
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Personal Development

"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
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Personal Development

"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
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Personal Development

"You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes."
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Personal Development

"The irrational in the human has something about it altogether repulsive and terrible, as we see in the maniac, the miser, the drunkard or the ape."
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Personal Development

"I want the difficult stories, the ones that aren't easy to believe, the twisted ones, the sorrowful ones, the ones that need telling most of all."
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"Pain is always emotional. Fear and depression keep constant company with chronic hurting."
Emotion


"There's a phenomenology of being sick, one that depends on temperament, personal history, and the culture which we live in."
Illness


"It is true that I suffered in a difficult and stupid love affair and that I worked at one bad job after another to try to keep myself going. Nevertheless, I remember that time as extraordinary, and I wouldn't trade it for anything. I don't even wish now that I had more money. And had I been asked if I was suffering at the time, I would have said a defiant no."
Resilience


"I am fascinated that no one I have read seems to have noticed that the literature on Picasso continually turns grown-up women into girls."
Art


"No doubt I would have felt reverent in less lovely places, because I imagined a past I connected to myself."
Memory


"In this early memory he looks different from the way I would remember him later."
Perception


"In order to be accepted, women must compensate for their ambition and strength by being nice. Men don't have to be nearly as much d as women. I do not believe women are natively nicer than men. They may learn that niceness brings rewards and hat names ambition is often punished. They may ingratiate themselves because such behavior is rewarded and a strategy of stealth may lead to better results than being forthright, but even when women are open and direct, they are not always seen or heard."
Society


"But that's why you're upset now. Fiction is not life.''You don't believe that.''I think I do.''You know as well as I do that the line can't be drawn, that we're infected at every moment by fictions of all kinds, that it's inescapable.''Don't be a sophist,' he said. 'There is a world and it's palpable.''I don't mean that,' I said. 'I mean that it's hard really to see it, that it's all hazy with out dreams and fantasies."
Reality


"Feminism was good for me, as were any number of causes, but as I developed as a thinking person, the truisms and dogmas of every ideology became as worn as that book's cover."
Ideology


"When a culture oppresses women, and all do to one degree or another, it isn't convenient to acknowledge that there are women who like submission in bed or who have fantasies about rape. Masochistic fantasies damage the case for equality, and even when they are seen as the result of a "sick society," the peculiarity of our sexual actions or fantasies is not easily untangled or explained away. The ground from which they spring is simply too muddy. Acts can be controlled, but not desire. Sexual feeling pops up, in spite of our politics."
Sexuality
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