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Milan Kundera

"In Tereza's eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others."

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"In Tereza's eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others."

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Amber Hurdle

"As we get older, it matters less where you are and more who you're with."

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"She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position, it is one of the things that have suggested to us eternal comradeship."

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"Sometimes it's nice to have a man around the house. But a dog will clean the dishes."

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"There is no enjoying the possession of anything valuable unless one has someone to share it with."

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Amber Hurdle

"I think ... I should go home soon. Mom and Luke are probably going nuts. What about you?"He shrugged, a casual lift of one shoulder. "You tell me. When I left Nevernever, I didn't have any plans other than being with you. If you want me around, just say the word."

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Amber Hurdle

"Andrea raised her hand. "This is the hand that slapped Aunt B."Maybe you should have it gold-plated."Here, you can touch it, since you're my best friend."

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Amber Hurdle

"The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon's perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon."

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Amber Hurdle

"I feel the need of relations and friendship of affection of friendly intercourse. ... I cannot miss these things without feeling as does any other intelligent man a void and a deep need."

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Amber Hurdle

"The clown's eyes sidled towards her, then drew away quickly. "But they kept me away from you earlier-and, on my word, you may laugh, but I was lonely for missing friendship."

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"The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.''Do I look like a liar?''You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women."
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"Laughing deeply is living deeply."
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"No peace is possible between the novelist and the agélaste [those who do not laugh]. Never having heard God's laughter, the agélastes are convinced that the truth is obvious, that all men necessarily think the same thing, and that they themselves are exactly what they think they are. But it is precisely in losing the certainty of truth and the unanimous agreement of others that man becomes an individual. The novel is the imaginary paradise of individuals. It is the territory where no one possesses the truth — neither Anna nor Karenin — but where everyone has the right to be understood, both Anna and Karenin."
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"Every novel says to the reader: "Things are not as simple as you think. That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."
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"A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality."
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"There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless."
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"Is not an event in fact more significant and noteworthy the greater the number of fortuities necessary to bring it about? ... Everything that occurs out of necessity, everything expected, repeated day in and day out, is mute. Only chance can speak to us."
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"He took over anger to intimidate subordinates, and in time anger took over him."
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"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
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"The sound of laughter is like the vaulted dome of a temple of happiness."
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