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Wendell Berry

"No one has madethe art by which one makes the worksof art. Each one who speaks speaksas a convocation. We live as councilsof ghosts. It is not "human genius"that makes us human, but an old love,an old intelligence of the heartwe gather to us from the world,from the creatures, from the angelsof inspiration, from the dead--an intelligence merely nonexistentto those who do not have it, but --to those who have it more dear than life."

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"No one has madethe art by which one makes the worksof art. Each one who speaks speaksas a convocation. We live as councilsof ghosts. It is not "human genius"that makes us human, but an old love,an old intelligence of the heartwe gather to us from the world,from the creatures, from the angelsof inspiration, from the dead--an intelligence merely nonexistentto those who do not have it, but --to those who have it more dear than life."

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Asa Don Brown

"It does not need to be perfect - or technically correct - to be magic."

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Asa Don Brown

"Then may I tell you that the very next words I read were these - 'Chloe liked Olivia'. Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women."

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Asa Don Brown

"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."

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Asa Don Brown

"If you you write with enough assurance and confidence, you're allowed to do whatever you like. So write your story as it needs to be written. Write it honestly, and tell it as best you can."

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Asa Don Brown

"Then I realized the vital necessity of art. Human life, yes, you nurse people, you clean house, you market, but then comes the moment of solace and flight. i sit and write and summon other friends, other forms of life, other experiences, and the voyage and the exploration, the delving into character, the vast expanse of life's possibilities and potentialities, contemplation of future travels, of dazzling friendships, all this then makes the chores and the sacrifices beautiful because they are diverted toward some beautiful aim, they become part of the structure of a work of art."

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Asa Don Brown

"Often the inspiration to write music comes from the voices in your head. You're not crazy. Just be thankful they are not making you rescue people in 20-degree weather at 2:30 in the morning in the forest."

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Asa Don Brown

"The idea really came to me the day I got my new false teeth."

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Asa Don Brown

"It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it."

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Asa Don Brown

"I like working among 'creative clutter'. It gives me a sense of activity and achievement."

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Asa Don Brown

"Test ideas in the marketplace. You learn from hearing a range of perspectives. Consultation helps engender the support decisions need to be successfully implemented."

Explore more quotes by Wendell Berry

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Wendell Berry
"The most exemplary nature is that of the topsoil. It is very Christ-like in its passivity and beneficence, and in the penetrating energy that issues out of its peaceableness. It increases by experience, by the passage of seasons over it, growth rising out of it and returning to it, not by ambition or aggressiveness. It is enriched by all things that die and enter into it. It keeps the past, not as history or as memory, but as richness, new possibility. Its fertility is always building up out of death into promise. Death is the bridge or the tunnel by which its past enters its future."
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Wendell Berry
"This is the man who will be my grandfather-the man who will be the man who was my grandfather. The tenses slur and slide under the pressure of collapsed time."
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Wendell Berry
"He was lonely because he could imagine himself as anything but himself and as anywhere but where he was. His competitiveness and self-centeredness cut him off from any thought of shared life. He wanted to have more because he thought that having more would make him able to live more, and he was lonely because he never thought of the sources, the places, where he was going to get what he wanted to have, or of what his having it might cost others. It was loneliness that sometimes even he felt; you could see it. A self-praiser has got to accept a big loneliness in order to accept a little credit."
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Wendell Berry
"Much protest is naA ve; it expects quick, visible improvement and despairs and gives up when such improvement does not come. Protesters who hold out longer have perhaps understood that success is not the proper goal. If protest depended on success, there would be little protest of any durability or significance. History simply affords too little evidence that anyone's individual protest is of any use. Protest that endures, I think, is moved by a hope far more modest than that of public success: namely, the hope of preserving qualities in one's own heart and spirit that would be destroyed by acquiescence."
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Wendell Berry
"Our present idea of freedom is only the freedom to do as we please: to sell ourselves for a high salary, a home in the suburbs, and idle weekends. But that is a freedom dependent upon affluence, which is in turn dependent upon the rapid consumption of exhaustible supplies. The other kind of freedom is the freedom to take care of ourselves and of each other. The freedom of affluence opposes and contradicts the freedom of community life."
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Wendell Berry
"Agriculture must mediate between nature and the human community, with ties and obligations in both directions. To farm well requires an elaborate courtesy toward all creatures, animate and inanimate. It is sympathy that most appropriately enlarges the context of human work. Contexts become wrong by being too small - too small, that is, to contain the scientist or the farmer or the farm family or the local ecosystem or the local community - and this is crucial."
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Wendell Berry
"There comes . . . a longing never to travel again except on foot."
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Wendell Berry
"This is a book about Heaven. I know it now. It floats among us like a cloud and is the realest thing we know and the least to be captured, the least to be possessed by anybody for himself. It is like a grain of mustard seed, which you cannot see among the crumbs of earth where it lies. It is like the reflection of the trees on the water."
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Wendell Berry
"By then I wasn't just asking questions; I was being changed by them. I was being changed by my prayers, which dwindled down nearer and nearer to silence, which weren't confrontations with God but with the difficulty--in my own mind, or in the human lot--of knowing what or how to pray. Lying awake at night, I could feel myself being changed--into what, I had no idea."
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Wendell Berry
"For what seemed a long time Mat knelt there with his father's dead wrist in his hand, while his mind arrived and arrived and yet arrived at that place and time and that body lying still on the soiled and bloodied stones."
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