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Marilyn Hacker

"I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer."

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"I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer."

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Amber Hurdle

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

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Amber Hurdle

"Stories are like children. They grow in their own way."

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Amber Hurdle

"In great literature, I become a thousand different men but still remain myself."

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Amber Hurdle

"It is my opinion that a story worth reading only in childhood is not worth reading even then."

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Amber Hurdle

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."

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Amber Hurdle

"The literary man re-reads, other men simply read."

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Amber Hurdle

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

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Amber Hurdle

"One of the most dangerous of literary ventures is the little, shy, unimportant heroine whom none of the other characters value. The danger is that your readers may agree with the other characters."

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Amber Hurdle

"Like someone excitedly relating a story, only to find the words petering out, the path gets narrower the further I go, the undergrowth taking over."

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Amber Hurdle

"I didn't read so much Japanese literature. Because my father was a teacher of Japanese literature, I just wanted to do something else."

Explore more quotes by Marilyn Hacker

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Marilyn Hacker
"Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise - nobody need read it, but anybody can do it."
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Marilyn Hacker
"The woman poet must be either a sexless, reclusive eccentric, with nothing to say specifically to women, or a brilliant, tragic, tortured suicide."
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Marilyn Hacker
"Translation makes me look at how a poem is put together in a different way, without the personal investment of the poem I'm writing myself, but equally closely technically."
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Marilyn Hacker
"Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative."
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Marilyn Hacker
"Translation is an interestingly different way to be involved both with poetry and with the language that I've found myself living in much of the time. I think the two feed each other."
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Marilyn Hacker
"We sometimes received - and I would read - 200 manuscripts a week. Some of them were wonderful, some were terrible; most were mediocre. It was like the gifts of the good and bad fairies."
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Marilyn Hacker
"When you translate poetry in particular, you're obliged to look at how the writer with whom you're working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence."
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Marilyn Hacker
"I lived in the studio apartment that I bought for four years before I bought it in 1989, so I was already in it. I began living there in 1985, so I've had the same address and phone number since then."
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Marilyn Hacker
"I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it."
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Marilyn Hacker
"I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer."
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