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"I use my hands like a sculptor, to mold and shape the sound I want, to clarify."
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"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."
"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."
"I know that if I went to other studios, like in Vancouver, that those are set up to be as professional and as true, so it's just a different flavour, it's a different sound, but I think both have their place."
"Around '75 when the recession hit, club owners started going to disco because it was cheaper for them to just buy a sound system than it was to hire a band."
"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"
"Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace."
"When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound."
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