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"Last year, when Zora was a freshman, sophomores had seemed altogether a different kind of human: so very definite in their tastes and opinions, in ther loves and ideas. Zora woke up this morning hopeful that a transformation of this kind might have visited her in the night, but, finding it hadn't, she did what girls generally do when they don't feel the part: she dressed it instead."
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"It's about personal development. It's about creating your own character and pushing it to the limit. It's about pushing yourself so far out of your own and everybody else's idea of who you are and what you're capable of, that you no longer believe in limits. It's about reaching beyond your so-called potential, because your potential is never where you or anyone else expects it to be, not even close. It's about being able to say with the last breath of your life "I used all my potential and all my talents and pushed myself to the limit. I could not have fought any harder."
"I have seen far by seeing through the lens of Jiu Jitsu. I have exchanged a great deal of physical health for these insights, and these were trades worth making. My efforts were worth the return. I have sacrificed much in the name of this craft. Not for trophies or belts or prestige. For these fall away like dust. I pursued this art so fervently because it was not actually Jiu Jitsu I pursued. It was myself."
"Have a clear-cut plan on what you wish to improve, and seek opportunities to improve it. The more conscious and honest we can be about our shortcomings, the more strength we will have to improve them. We are going to train hard anyway, we are not going to sweat any more or less. It is simply imperative that the sweat is properly directed."
"Win told me that one isn't improved by being at the top of the mountain, one is improved by the climb."
"I'm never proud of my old work. I always feel as though my skills have since improved."
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
"Man (and woman) has an infinite capacity for self-development. Equally, he has an infinite capacity for self-destruction."
Explore more quotes by Zadie Smith
"When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception."
"It starts innocently. Casually. You turn up at the annual spring fair full of beans, help with the raffle tickets (because the pretty red-haired music teacher asks you to) and win a bottle of whiskey (all school raffles are fixed), and, before you know where you are, you're turning up at the weekly school council meetings, organizing concerts, discussing plans for a new music department, donating funds for the rejuvenation of the water fountains-you're implicated in the school, you're involved in it. Sooner or later you stop dropping your children at the school gates. You start following them in."
"The wind picked up, shaking the trees below. She had the sense of being in the country. In the country, if a woman could not face her children, or her friends, or her family " if she were covered in shame " she would probably only need to lay herself down in a field and take her leave by merging, first with the grass underneath her, then with the mulch under that. A city child, Natalie Blake had always been naive about country matters. Still, when it came to the city, she was not mistaken. Here nothing less than a break " a sudden and total rupture " would do."
"To her credit, though, Trace didn't lose her famous temper, not at that moment. At eighteen she was already expert at the older woman's art of fermenting rage, conserving it, for later use."
"There were good and bad kinds of weakness in men, and she had come to the conclusion that the key was to know which kind you were dealing with."
"Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it."
"A lot of women, when they're young, feel they have very good friends, and find later on that friendship is complicated. It's easy to be friends when everyone's 18."
"I'd decided to establish a new rule for myself: read for half an hour an evening, no matter what."
"And I'm not going to get any thinner or any younger, my ass is going to hit the ground, if it hasn't already--and I want to be with somebody who can still see me in here. I'm still in here. And I don't want to be resented or despised for changing...I'd rather be alone."
"They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you."
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