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Diana Gabaldon

"He was generally aware that he had been blessed in her beauty; even in her usual homespun, knee-deep in mud from her garden, or stained and fierce with the blood of her calling, the curve of her bones spoke to his own marrow, and those whisky eyes could make him drunk with a glance. Besides, the mad collieshangie of her hair made him laugh."

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"He was generally aware that he had been blessed in her beauty; even in her usual homespun, knee-deep in mud from her garden, or stained and fierce with the blood of her calling, the curve of her bones spoke to his own marrow, and those whisky eyes could make him drunk with a glance. Besides, the mad collieshangie of her hair made him laugh."

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Donna Grant

"Though familiarity may not breed contempt, it takes off the edge of admiration."

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Personal Development

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Donna Grant

"She reflected she must be completely besotted with Peter, if his laughter could hallow an aspidistra."

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Personal Development

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Donna Grant

"Indians have a big problem with alcohol and drugs. I grew up with an admiration for their culture and was sensitive to their problems."

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Personal Development

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Donna Grant

"...would not exchange this one little English girl for the Grand Turk's whole seraglio, gazelle-eyes, houri forms, and all!"

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Personal Development

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Donna Grant

"A woman, desires to hear nice words from a man who can praise her beauty."

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Personal Development

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Donna Grant

"You're not actually falling for him, are you?" he asks her one day, on one of the rare occasions he can get her alone."I'll pretend you didn't just ask that," she tells him in disgust. But Connor has reasons to wonder."On that first night here, he offered you his blanket, and you accepted it," he points out."Only because I knew it would make him cold.""And when he offers you his food, you take it.""Because it means he goes hungry."It's coolly logical. Connor finds it amazing that she can put her emotions aside and be as calculating as Roland, beating him at his own game. Another reason for Connor to admire her."

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Personal Development

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Donna Grant

"The birds in the sky can never great the king yet their beauty gives the king to stare at them endlessly, wishing to be with them in the sky."

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Personal Development

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Donna Grant

"Let her know that her look really works for you."

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Personal Development

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Donna Grant

"You are a perfect woman, a magical blend of beauty, intelligence, and spirit. Without you, my life is nothing."

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Personal Development

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Donna Grant

"Cats have it all - admiration, an endless sleep, and company only when they want it."

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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."

Relationship

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Diana Gabaldon
"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."

Society

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Diana Gabaldon
"Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves."

Motherhood

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Diana Gabaldon
"Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers."

Learning

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Diana Gabaldon
"It's the anonymity of the war that makes the killing possible. When the nameless dead are named again on tombstone and on cenotaph, then they regain the identity they lost as soldiers, and take their place in grief and memory, the ghosts of sons and lovers."

History

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Diana Gabaldon
"Nay, he needs a woman, not a girl. And Laoghaire will be a girl when she's fifty."

Relationship

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Diana Gabaldon
"One dictum I had learned on the battlefields of France in a far distant war: You cannot save the world, but you might save the man in front of you, if you work fast enough."

Ethics

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Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."

Communication

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Diana Gabaldon
"You don't need to know the purpose as you write, but when you read over something you've written, you should be able to point to any given element-be that a line of dialogue, a descriptive phrase, a plot point-and say why it's there."

Art

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Diana Gabaldon
"To some extent, emotions are universal and can be treated that way; no matter what the participants' orientation or preference, they have sex for the same reasons and can experience the same array of emotions in the process. But there are three important distinctions to be made: 1. The logistics of physiology 2. The basics of sexual attraction 3. Cultural impact on character and situation."

Social

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