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"I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book."
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"Were I to fall in love, indeed, it would be a different thing! but I have never been in love; it is not my way, or my nature; and I do not think I ever shall. And, without love, I am sure I should be a fool to change such a situation as mine."
"How'd you know he was the one?""I didn't know. I don't think either of us knew."Heather rolled her eyes. "Neal knew - he proposed to you.""It's not like that," Georgie said. "You'll see. It's more like you meet someone, and you fall in love, and you hope that that person is the one - and then at some point, you have to put down your chips. You just have to make a commitment and hope that you're right."
"When love is roaming in our mind, looping in the deepest fringes of our heart, undreamt spaciousness emerges, repealing the constraints of triviality and letting stifling narrowness fade away. While our mindset is besieged by a revolving burst of emotion, our world is ultimately opening up. ['Cape of good hope']"
"Nothing seems to satisfy. Not politics, not education, not material goods. Some who refuse to turn their hearts toward God have created the New Age movement, with all of its aberrations. This is actually not new but only the latest attempt by man to place something other than Christ inside himself in a futile attempt to satisfy spiritual longings."
"I believe in romance... in playfulness... in passion... in expressing feelings... in friendship... in all the ways love heals, nourishes, and transforms "you" and "me" into an "us"."
"When you finally meet the right one for you, it suddenly becomes clear why everyone else was so wrong."
Explore more quotes by Fay Wray
"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."
"The producers who wanted me to do it liked me and trusted me, and more than one scene was only one take, because I'd plan ahead what I thought would be appropriate for that scene-so one take was enough."
"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."
"Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size."
"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."
"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things."
"Crawford washed her hands a lot. She washed her arms all the way up past her elbows. She just couldn't get enough done in that direction. She was compulsive about being clean, clean, clean!"
"It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!"
"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."
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