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"It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up."
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"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

"I think I have a basic sound aesthetic that is in most of what I do."

"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."

"When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record."

"Fortunately, as we all know, it's impossible for anybody but Jimmy Smith to really sound like Jimmy Smith."

"I just want to do everything. I don't want to sound soppy or too cliched, but that's the way it is."
Explore more quotes by Steve Lacy

"They call me before they go into production, when they have a prototype, and they call legitimate saxophonists, too. As opposed to the other kind."

"The more original something is, the more of a threat it seems until the people catch up with it. That happened with Thelonious Monk. It happened with anybody who is really original."

"Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same."

"There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language."

"Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first."

"I've always been extremely lucky in playing with great people who knew much more than I did. That's how I got from there to here."

"The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity."

"If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that."

"I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio."
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