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Trevor Nunn

"In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work."

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"In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work."

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Akiroq Brost

"If you need an alarm clock, you need a new job."

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Akiroq Brost

"The only genius that's worth anything is the genius for hard work."

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Akiroq Brost

"Have convictions. Be friendly. Stick to your beliefs as they stick to theirs. Work as hard as they do."

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Akiroq Brost

"Maybe you don't work for seven months a year, but you'll work again. It may be a piece of garbage, so you wear hip boots."

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Akiroq Brost

"I dislike when people try to pigeonhole me, when all I want is to do good work."

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Akiroq Brost

"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."

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Akiroq Brost

"The teacher of history's work should be, ideally, not simply a description of past cultures, but a performance of the culture in which we live and are increasingly taking our being."

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Akiroq Brost

"So many people think they need to have serious equipment. In the magazines and the media, they see all this stylish stuff, especially on TV, and they think, That's what I need to make it work. You don't. I'm attempting a little bit of liberation here."

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Akiroq Brost

"I've never been one who agonizes over my work."

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Akiroq Brost

"The best preparation for tomorrow is to do today's work superbly well."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
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Trevor Nunn
"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."
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Trevor Nunn
"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance."
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Trevor Nunn
"You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left."
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Trevor Nunn
"What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself."
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Trevor Nunn
"I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed."
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Trevor Nunn
"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."
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Trevor Nunn
"One fine day I discovered that more complex plays really have to be directed."
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