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Atom Egoyan

"I've just been very, very lucky with the film having been introduced in the right way."

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"I've just been very, very lucky with the film having been introduced in the right way."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Amber Hurdle

"When you direct your first film, you always start by telling stories that you are familiar with."

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Amber Hurdle

"How would you like to find out how good my right is?"

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Amber Hurdle

"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"I'm not interesting enough on my own that you'd want to see a film about me."

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Amber Hurdle

"The existing documentary makers still believe that it is impossible to produce drama material in this State, otherwise they would be doing it, they say."

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Amber Hurdle

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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Amber Hurdle

"Well, all I can say is thank goodness I had 15 years of theater before ever I did film roles. You build technique that you can rely on."

Explore more quotes by Atom Egoyan

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Atom Egoyan
"That is where the irony of the film comes off, in terms of the language it employs - where he tries desperately to be a 'TV Dad,' to give advice and it's so pat it becomes ridiculous."
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Atom Egoyan
"The whole film is about people being convinced that they can reduce themselves to their archetypes."
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Atom Egoyan
"When you're working with a smaller budget I suppose one of the things that has to be in your mind when you are writing is that you have to keep the characters down to a minimum."
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Atom Egoyan
"These are very subtle things, of course, and I don't expect everyone to pick them up consciously, but I think that there is something there that you must be able to feel, there is an energy at work that I must trust my audience will be able to pick up at some level."
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Atom Egoyan
"I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project."
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Atom Egoyan
"The programme has ended, something has finished, and he has a sense of something having finished its course, and then all of a sudden he turns away and this other thing has just finished its course, this other person."
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Atom Egoyan
"I think if you look at the themes that are presented in the film, some are inherently social, and I think that any film which deals with the family is dealing with the smallest social unit in our society - and in a sense it is a question of scope."
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Atom Egoyan
"That's a very odd notion because it involves seeing money up there on the screen - if something cost $5 million to make, they want to see that $5 million up there."
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Atom Egoyan
"Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that."
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Atom Egoyan
"I have always felt that this story is universal. When I began to understand the details of the history, I felt that the most compelling aspect was not what happened, but what continues to happen and how it is denied."
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