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David Foster Wallace

"Time wasn't passing so much as kneeling beside him in a torn tee-shirt disclosing the rodent-nosed tits of a man who disdains the care of his once-comely bod."

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"Time wasn't passing so much as kneeling beside him in a torn tee-shirt disclosing the rodent-nosed tits of a man who disdains the care of his once-comely bod."

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Amber Hurdle

"Age is always advancing and I'm fairly sure it's up to no good."

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Amber Hurdle

"Granny Weatherwax had a primal snore. It had never been tamed. No one had ever had to sleep next to it, to curb its wilder excesses by means of a kick, a prod in the small of the back, or a pillow used as a bludgeon. It had had years in a lonely bedroom to perfect the knark, the graaah, and the gnoc, gnoc, gnoc unimpeded by the nudges, jabs, and occasional attempts at murder that usually moderate the snore impulse over time."

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Amber Hurdle

"He sat watching what went forward with the quiet outward glance of healthy old age."

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Amber Hurdle

"You can cover the wrinkles of age by becoming more cheerful and enthusiastic."

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Amber Hurdle

"Lines and greyness are nature's way of telling you not to fuck with someone - the equivalent of yellow and black lines on a wasp, or the markings on the back of a black widow spider."

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Amber Hurdle

"How obvious can it be? ... The purpose of makeup is to defy the degradations of time, and time is just a synonym for death."

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Amber Hurdle

"The good thing about being old is not being young."

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Amber Hurdle

"When you're twenty-one, life is a roadmap. It's only when you get to twenty-five or so that you begin to suspect you've been looking at the map upside down, and not until you're forty are you entirely sure. By the time you're sixty, take it from me, you're fucking lost."

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Amber Hurdle

"Growing older is certain, growing wiser is harder and optional."

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Amber Hurdle

"When we age we shed many skins: ego, arrognace, dominance, self-opionated, unreliable, pessimism, rudeness, selfish, uncaring ... Wow, it's good to be old!"

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David Foster Wallace
"Something they seem to omit to mention in Boston AA when you're new and out of your skull with desperation and ready to eliminate your map and they tell you how it'll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it."
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David Foster Wallace
"You see parents as kind or unkind or happy or miserable or drunk or sober or great or near-great or failed the way you see a table square or a Montclair lip-read. Kids today... you kids today somehow don't know how to feel, much less love, to say nothing of respect. We're just bodies to you. We're just bodies and shoulders and scarred knees and big bellies and empty wallets and flasks to you. I'm not saying something cliché like you take us for granted so much as I'm saying you cannot... imagine our absence. We're so present it's ceased to mean. We're environmental. Furniture of the world."
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David Foster Wallace
"In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls."
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David Foster Wallace
"It's not what you lift, it's where you carry it."
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David Foster Wallace
"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."
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David Foster Wallace
"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."
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David Foster Wallace
"What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration."
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David Foster Wallace
"Its emotional character is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency -sitting or standing, doing or resting, speaking or keeping silent, living or dying- are not just unpleasant but literally horrible."
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David Foster Wallace
"The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush."
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David Foster Wallace
"Worship your body, beauty, and sexual allure and you will die a million deaths before they finally grieve you."
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