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"But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And-since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form-the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light."
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"People do not die for us immediately, but remain bathed in a sort of aura oflife which bears no relation to true immortality but through which theycontinue to occupy our thoughts in the same way as when they were alive. Itis as though they were traveling abroad."

"Acknowledge that some moments are just plain awful-desperate and gloomy and painful and miserable and nothing at all but anguish. No truthful, cheerful thought in the world will fix it. So let me cry awhile. Don't try to find a sunbeam where a shroud of darkness encloses me. Let me mourn. Then, after the storm, when the tears have run dry and my eyes choose to open, I will look for your rainbow of hope."

"Look, everyone mourns at their own pace. Maybe you're just a little bit ahead of her, but she'll get to you eventually. The important thing is that you keep trying to talk to each other, even if it's difficult at first. It gets easier. I promise."

"Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go.Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness."

"I give myself a good cry if I need it. But then I concentrate on the good things still in my life. I don't allow myself any more self-pity than that. A little each every morning, a few tears, and that's all."

"Everyone I have lost in the closing of a doorthe click of the lockis not forgotten, theydo not die but remainwithin the soft edgesof the earth, the ashof house fires and cancerin sin and forgivenesshuddled under old blanketsdreaming their way intomy hands, my heartclosing tight like fists."
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"Is it better to throw yourself head first and laughing into the holy rage calling your name?"


"It's so heartbreaking and unnecessary how we lose things. From pure carelessness. Fires, wars. The Parthenon, used as a munitions storehouse. I guess that anything we manage to save from history is a miracle."


"I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with political fiction - Dickens, Dostoyevsky. But even Tolstoy got really tiresome when he was talking about the serfs. You have to let characters be characters, not [gruff voice] Mr Capitalism or [girlie voice] Miss Anti-Fur."


"Fate is cruel but maybe not random. Nature (meaning Death) always wins but that doesn't mean we have to bow and gravel to it."


"And beauty is terror,' said Julian, 'then what is desire? We think we have many desires, but in fact we have only one. What is it?''To live,' said Camilla.'To live forever,' said Bunny, chin cupped in palm."


"This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game."


"It was a myth you couldn't function on opiates: shooting up was one thing but for someone like me-jumping at pigeons beating from the sidewalk, afflicted with Post Traumatic Stress Disorder practically to the point of spasticity and cerebral palsy-pills were the key to being not only competent, but high-functioning."


"Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still."
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