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Ray Bradbury

"I talk. Jim runs. I tilt stones, Jim grabs the cold junk under the stones and -lickety-split! I climb hills. Jim yells off church steeples. I got a bank account. Jim's got the hair on his head, the yell in his mouth, the shirt on his back and the tennis shoes on his feet. How come I think he's richer?"

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"I talk. Jim runs. I tilt stones, Jim grabs the cold junk under the stones and -lickety-split! I climb hills. Jim yells off church steeples. I got a bank account. Jim's got the hair on his head, the yell in his mouth, the shirt on his back and the tennis shoes on his feet. How come I think he's richer?"

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Amber Hurdle

"Understanding may become "misunderstanding, if no commitment or no responsibilities are assumed, no specific objectives set, no definite expectations met and common values and interests no longer shared. Mutual understanding may then, against all odds, end up in heartache, confusion and bewilderment. ['Mutual understanding']"

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Amber Hurdle

"Dating a wo/man with a child is adoption - without the paperwork."

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Amber Hurdle

"It's hard to safeguard a genuine life course, when love tips over from endearing care into tedium, through laziness of imagination or loss of interest, and the storyline becomes barren and desolate, insipidly dull, turning into a threadbare act with the same trite modus operandi. "The same procedure as every year, James! ['Things needing to be changed']"

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Amber Hurdle

"When love becomes a play of squirming mindgames or a tinderbox of mental conflicts, emotional benchmarks need an unremitting reset. ['Another empty room']"

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Amber Hurdle

"No relationship is perfect, ever. There are always some ways you have to bend, to compromise, to give something up in order to gain something greater...The love we have for each other is bigger than these small differences. And that's the key. It's like a big pie chart, and the love in a relationship has to be the biggest piece. Love can make up for a lot."

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Amber Hurdle

"He grinned again. We'd only been seeing each other for a few weeks now, but this easy give-and-take still surprised me. From that very first day in my room, I felt like we'd somehow skipped the formalities of the Beginning of a Relationship: those awkward moments when you're not all over each other and are still feeling out the other person's boundaries and limits. Maybe this was because we'd been circling each other for a while before he finally catapulted through my window. But if I let myself think about it much - and I didn't - I had flashes of realising that I'd been comfortable with him even at the very start. Clearly, he'd been comfortable with me, grabbing my hand as he had that first day. As if he knew, even then, that we'd be here now."

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Amber Hurdle

"You only really fall apart in front of the people you know can piece you back together."

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Amber Hurdle

"He wasn't the type for displays of affection, either verbal or not. He was disgusted by couples that made out in the hallways between classes, and got annoyed at even the slightest sappy moments in movies. But I knew he cared about me: he just conveyed it more subtly, as concise with expressing this emotion as he was with everything else. It was in the way he'd put his hand on the small of my back, for instance, or how he'd smile at me when I said something that surprised him. Once I might have wanted more, but I'd come around to his way of thinking in the time we'd been together. And we were together, all the time. So he didn't have to prove how he felt about me. Like so much else, I should just know."

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Amber Hurdle

"You couldn't just pick and choose at will when someone depended on you, or loved you. It wasn't like a light switch, easy to turn on or off. If you were in, you were in. Out, you were out."

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Amber Hurdle

"If love has taken us for a ride and passion made us ignore sham and swindle, the time has come to separate the wheat from the chaff and polish up diamonds of trust, neatly, day by day. ['Taken for a ride']"

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Ray Bradbury
"Your intuition knows what to write, so get out of the way."
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Ray Bradbury
"Don't think. Thinking is the enemy of creativity. It's self-conscious, and anything self-conscious is lousy. You can't try to do things. You simply must do things."
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Ray Bradbury
"When a man talks from the heart, in his moment of truth, he speaks poetry."
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"One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more..."
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Ray Bradbury
"Not everyone born free and equal, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man. Me? I won't stomach them for a minute."
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Ray Bradbury
"And in the years when your shadow leaned clear across the land as you lay abed nights with your heartbeat mounting to the billions, his invention must let a man drowse easy in the falling leaves like the boys in autumn who, comfortably strewn in the dry stacks, are content to be a part of the death of the world..."
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Ray Bradbury
"Love is easy, and I love writing. You can't resist love. You get an idea, someone says something, and you're in love."
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Ray Bradbury
"The ability to "fantasize" is the ability to survive. It's wonderful to speak about this subject because there have been so many wrong-headed people dealing with it.... The so-called realists are trying to drive us insane, and I refuse to be driven insane.... We survive by fantasizing. Take that away from us and the whole damned human race goes down the drain."
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Ray Bradbury
"Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories."
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Ray Bradbury
"I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye."
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