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"I dislike interaction. The less I say the better I feel. I was naturally a loner. I didn't want conversation, or to goanywhere. I didn't understand other people who wanted to share their emotions. Parties sickened me. I was drawn to all the wrong things: I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. I didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone. Relationships never worked with me. I alwayslost interest. I simply disliked people, crowds, anywhere, except at my readings."
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"GreenHollyWood, I think that you asked me why I don't get out?- I'm kinda in hateful state, I hate to watch the fucking liars to lie in front of my face and backward to put the knife in my back. Why I stay home?- It's awesome place, I feel safe and out of the ignorance there is always somebody to harass for to get attention."
"Up here on the Ice each of us is singular, isolate, I as cut off from those like me, from my society, and its rules, as he from his."
"All along - not only since she left, but for a decade before - I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who - because no one thought she was a person - had no one to really talk to."
"The world has nothing to offer me, no single shred of interest. I'm a woman trapped on a balcony, watching a passing parade, a blur of noise and motion that eventually turns to a single point on the horizon, a gutter full of trampled and muddy cups, and the sense of wasting an afternoon."
"Isolation is the sum total of wretchedness to a man."
"And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning. There had been no night in the last two years that Mildred had not swum that sea, had not gladly gone down in it for the third time."
"To touch my person to some one else's is about as much as I can stand."
"I dislike interaction. The less I say the better I feel. I was naturally a loner. I didn't want conversation, or to goanywhere. I didn't understand other people who wanted to share their emotions. Parties sickened me. I was drawn to all the wrong things: I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. I didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone. Relationships never worked with me. I alwayslost interest. I simply disliked people, crowds, anywhere, except at my readings."
"I am alone, I thought, and they are everybody."
"You know you lose a lot of social skills if you're a writer. You spend too long alone. And its forced me to address that."
Explore more quotes by Charles Bukowski
"Ithink that theworld should be full of cats and full of rain, that's all, justcats andrain, rain and cats, very nice, goodnight."
"There is a place in the heart thatwill never be filleda spaceand even during thebest momentsandthe greatest timestimeswe will know itwe will know itmore thaneverthere is a place in the heart thatwill never be filledandwe will waitandwaitin that space."
"You've got to know when to let a woman go if you want to keep her,and if you don't want to keep her you let her go anyhow so it's always a process of letting go, one way or the other."
"I believe that to be the world's greatest livingwriterthere must be somethingterribly wrong with you.I don't even want to be the world's greatestdead writer.just being dead would be fairenough."
"Potential," I said, "doesn't mean a thing. You've got to do it. Almost every baby in a crib has more potential than I have."
"When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity."
"There's a bluebird in my heart thatwants to get outbut I'm too clever, I only let him outat night sometimeswhen everybody's asleep.I say, I know that you're there,so don't besad.then I put him back,but he's singing a littlein there, I haven't quite let himdieand we sleep together likethatwith oursecret pactand it's nice enough tomake a manweep, but I don'tweep, doyou?"
"I wasn't sleeping on the streets at night. Of course, there were a lot of good people sleeping in the streets. They weren't fools, they just didn't fit into the needed machinery of the moment. And those needs kept altering."
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