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"What matters in literature in the end is surely the idiosyncratic, the individual, the flavor or the color of a particular human suffering."
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"I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."
"Writers may be classified as meteors, planets, and fixed stars. They belong not to one system, one nation only, but to the universe. And just because they are so very far away, it is usually many years before their light is visible to the inhabitants of this earth."
"Walter Scott has no business to write novels, especially good ones. - It is not fair. - He has fame and profit enough as a poet, and should not be taking the bread out of other people's mouths. - I do not like him, and do not mean to like Waverley if I can help it - but fear I must."
"This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant."
"I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'"
"In our Impulsive nature to write and repulsive nature to read that has led to a decline in literary genius in our times!"
"You could fire a machine gun randomly through the pages of Lord of the Rings and never hit any women."
"I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world."
"Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives."
"Fictional people are people, too, otherwise why would we care what happens to them?"
Explore more quotes by Harold Bloom
"If I were to sum up the negative reactions to my work, I think there are two primary causes: one is that if there is discourse about anxiety it is necessarily going to induce anxiety. It will represent a return of the repressed for a great many people."
"Shakespeare will not make us better, and he will not make us worse, but he may teach us how to overhear ourselves when we talk to ourselves... he may teach us how to accept change in ourselves as in others, and perhaps even the final form of change."
"Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems."
"I don't believe in myths of decline or myths of progress, even as regards the literary scene."
"Criticism in the universities, I'll have to admit, has entered a phase where I am totally out of sympathy with 95% of what goes on. It's Stalinism without Stalin."
"But in the end, in the end one is alone. We are all of us alone. I mean I'm told these days we have to consider ourselves as being in society... but in the end one knows one is alone, that one lives at the heart of a solitude."
"What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude."
"We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are."
"The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic."
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