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"What matters in literature in the end is surely the idiosyncratic, the individual, the flavor or the color of a particular human suffering."
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"A man reading the Dickens novel wished that it might never end. Men read a Dickens story six times because they knew it so well."

"It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language."

"Prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house."

"Every healthy person at some period must feed on fiction as well as fact; because fact is a thing which the world gives to him, whereas fiction is a thing which he gives to the world."

"The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell."

"Witness also that when we talk about literature, we do so in the present tense. When we speak of the dead, we are not so kind."

"Anon, who wrote so many poems without signing them, was often a woman."

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

"I think the only cardinal evil on earth is that of placing your prime concern within other men. I've always demanded a certain quality in the people I liked. I've always recognized it at once-and it's the only quality I respect in men. I chose my friends by that...A self-sufficient ego. Nothing else matters."

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."
Explore more quotes by Harold Bloom

"Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies."

"No poem, not even Shakespeare or Milton or Chaucer, is ever strong enough to totally exclude every crucial precursor text or poem."

"What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude."

"Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage."

"I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist."

"We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are."

"What matters in literature in the end is surely the idiosyncratic, the individual, the flavor or the color of a particular human suffering."

"In the finest critics one hears the full cry of the human. They tell one why it matters to read."
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