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Jessie Matthews

"I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with."

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"I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with."

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Amber Hurdle

"Dance with your own way with your own tune no matter who watches it."

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Amber Hurdle

"The real dance is a spontaneous body movement that in harmony with the beats of the music in your heart."

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Amber Hurdle

"Dancing is a expression of desire, thoughts, and emotion in a distinctive way."

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Amber Hurdle

"Ambivalence is a wonderful tune to dance to. It has a rhythm all its own."

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Amber Hurdle

"Once you are dancing with the devil, the prettiest capers won't help you."

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Amber Hurdle

"There comes a pause, for human strength will not endure to dance without cessation; and everyone must reach the point at length of absolute prostration."

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Amber Hurdle

"It is difficult to produce a television documentary that is both incisive and probing when every twelve minutes one is interrupted by twelve dancing rabbits singing about toilet paper."

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Amber Hurdle

"My dance classes were open to anybody, my only stipulation was that they had to come to the class every day."

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Amber Hurdle

"I knew I was happy when I was dancing."

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Amber Hurdle

"Dance, as if nobody is watching. Love, as if you have never been hurt before."

Explore more quotes by Jessie Matthews

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Jessie Matthews
"When I first began, the technicians, camera and makeup men made me feel so self-conscious that I began to have the biggest inferiority complex about my looks."
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Jessie Matthews
"In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted."
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Jessie Matthews
"For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting."
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Jessie Matthews
"I had a flair for comedy and could give a sustained performance."
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Jessie Matthews
"I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with."
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