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"I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar."
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"Always in my books, I like to throw that rogue element into a stable situation and then see what happens."
"I have always read all the latest cookery books and magazines, from all over the world."
"Books are standing counselors and preachers, always at hand, and always disinterested; having this advantage over oral instructors, that they are ready to repeat their lesson as often as we please."
"Learning hath gained most by those books by which the printers have lost."
"What if I were seeking a hardcopy? A book I can bury my nose in metaphorically and literally if I'm a self-confessed book-sniffer and proud to say so."
"In my books I might hold the mirror to my own face. If others would like to borrow the mirror, they're welcome. The books aren't there to accuse others - merely to raise issues and keep the debates alive."
"Some books are to be tasted, others to be swallowed, and some few to be chewed and digested."
Explore more quotes by Chester Brown
"There's a bit of debate about that; some say it was really Matthew, but the popular consensus is that Mark was the first one, so that's why I did that one first. And I was planning on doing all four."
"We couldn't be making as much money, if we had to deal with stranger behaviour. And right now, anybody who slows down our economic productivity, off they go. We have a place for them, the psychiatric institution. That's the main thing, they slow things down."
"The scientists at the end of the 19th century had people coming to them with this weird behaviour, and they didn't know what was going on but there seemed to be a similarity. They needed an answer, so they made up one."
"They thought they were identifying a set of behaviours, but yeah, they just wanted to have an answer."
"Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things."
"The main problem was a pacing problem. I had wanted the project to be about 20-30 issues, and I should have written it out as a full script beforehand."
"PENTHOUSE didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces."
"It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling."
"With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time."
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