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"It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

"Let music ignite your vivid inner colors and bring you harmony inside and out."

"A work of art has no importance whatever to society. It is only important to the individual."

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
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"The modern meaning of life's end-when does it end? How does it end? How should it end? What is the value of life? How do we measure it?"

"The writer is the person who stands outside society, independent of affiliation and independent of influence."

"I slept for four years. I didn't study much of anything. I majored in something called communication arts."

"I felt Joyce was an influence on my fiction, but in a very general way, as a kind of inspiration and a model for the beauty of language."

"There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it."

"Doesn't seem quite real. It's not meaningful. I can't quite imagine myself being 73. That's the age my father was! [Laughter.] How can I be his age? It's weird."

"Ordinary moments make the life. This is what she knew to be trustworthy and this is what I learned, eventually, from those years we spent together. No leaps or falls. I inhale the little drizzly details of the past and know who I am. What I failed to know before is clearer now, filtered up through time, an experience belonging to no one else, not remotely, no one, anyone, ever. I watch her use the roller to remove lint from her cloth coat. Define coat, I tell myself. Define time, define space."

"The plane had lost power in all three engines, dropped from thirty-four thousand feet to twelve thousand feet. Something like four miles. When the steep glide began, people rose, fell, collided, swam in their seats. Then the serious screaming and moaning began. Almost immediately a voice from the flight deck was heard on the intercom: 'We're falling out of the sky! We're going down! We're a silver gleaming death machine!' This outburst struck the passengers as an all but total breakdown of authority, competence and command presence and it brought on a round of fresh and desperate wailing."
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