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Terence Fisher

"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."

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"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."

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A.E. Samaan

"One thing is true and that Humans are the examples of killers which destroy other fellows dreams."

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"Poison!" Grover yelped. "Don't let those things touch you or...""Or we'll die?" I guessed."Well...after you shrivel slowly to dust, yes.""Let's avoid the swords," I decided."

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A.E. Samaan

"The wolf pounces on the sheep when the shepherd strays."

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"Alack, there lies more peril in thine eyeThan twenty of their swords: look thou but sweet,And I am proof against their enmity."

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"Even from far away, I could see people being chased by hellhounds, burned at the stake, forced to run naked through cactus patches or listen to opera music."

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A.E. Samaan

"Even if you're an outstanding fighter, you can lose your life with one mistake."

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A.E. Samaan

"Disaster was an avalanche, gathering speed with such acceleration that you worried more about getting out of its path, not finding the pebble at its center."

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A.E. Samaan

"Beckendorf, whose legs were now working fine (nothing like being chased by a huge monster to get your body back in order) shook his head and gasped for breath. "You shouldn't have turned it on! It's unstable! After a few years, automatons go wild!"

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A.E. Samaan

"The plan had three phases: dangerous, really dangerous and insanely dangerous."

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A.E. Samaan

"There is more than one way to lose your life; quickly through violence, or fettered-away and wasted around dreadful, toxic people."

Explore more quotes by Terence Fisher

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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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