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Danny Elfman

"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."

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"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."

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Amber Hurdle

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"I've never made a film using dialogue or speech."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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"I like the smell of film. I just like knowing there's film going through the camera."

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Amber Hurdle

"I wanted to go to Rome. I got an offer to do an Italian film and I went."

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Amber Hurdle

"The studio should not have released this film."

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Amber Hurdle

"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."

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Amber Hurdle

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

Explore more quotes by Danny Elfman

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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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Danny Elfman
"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."
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Danny Elfman
"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."
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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
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Danny Elfman
"In Tim's films, more than most, if you miss the tone, you don't get the film."
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Danny Elfman
"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
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Danny Elfman
"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
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Danny Elfman
"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
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