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"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
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"I prefer film and that's what I think I'm gonna put my focus on."

"I wanted to go to Rome. I got an offer to do an Italian film and I went."

"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."
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"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."
Explore more quotes by Danny Elfman

"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."

"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."

"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."

"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."

"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."

"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."

"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."

"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
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