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Andrew Wyeth

"Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen."

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"Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

Explore more quotes by Andrew Wyeth

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Andrew Wyeth
"If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window."
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Andrew Wyeth
"I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad."
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Andrew Wyeth
"I dream a lot. I do more painting when I'm not painting. It's in the subconscious."
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Andrew Wyeth
"At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery."
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Andrew Wyeth
"I can't work completely out of my imagination. I must put my foot in a bit of truth; and then I can fly free."
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Andrew Wyeth
"I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object."
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Andrew Wyeth
"I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare."
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Andrew Wyeth
"I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me."
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Andrew Wyeth
"I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show."
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Andrew Wyeth
"I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me."
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