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Michelangelo Antonioni

"When I am shooting a film I never think of how I want to shoot something; I simply shoot it."

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"When I am shooting a film I never think of how I want to shoot something; I simply shoot it."

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"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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Asa Don Brown

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

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Asa Don Brown

"Looper is another great film."

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"Film gives us a second chance at a first impression."

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"Film-makers must decide what story to tell and how to tell it."

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"When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad."

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Asa Don Brown

"And that's another reason to make this movie: We can put plays on film now, at a relatively small cost, and they will reach an audience they would never have reached otherwise."

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Asa Don Brown

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."

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Asa Don Brown

"We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed."

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Asa Don Brown

"The 1980s really ended for me in 1992 with the film Kika."

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Michelangelo Antonioni
"We live in a society that compels us to go on using these concepts, and we no longer know what they mean."
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Michelangelo Antonioni
"You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters."
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Michelangelo Antonioni
"I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space."
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Michelangelo Antonioni
"Hollywood is like being nowhere and talking to nobody about nothing."
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Michelangelo Antonioni
"Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance."
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Michelangelo Antonioni
"I meant exactly what I said: that we are saddled with a culture that hasn't advanced as far as science."
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Michelangelo Antonioni
"I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth."
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Michelangelo Antonioni
"When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them."
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Michelangelo Antonioni
"All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks."
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Michelangelo Antonioni
"I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules."
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