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"Well, Barry, it's your film. So if it rises or falls, you're the man."
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"We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20."
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"My focus never wavered; I never accepted the film was not going to be finished."

"In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem."

"I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape."

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."
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"But I think Barry Sonnenfeld let his ego go out of control. He told me in a meeting that he had to do something to make it his film."


"Oh, that character was light years away from me. I'm not debonair. I'm not suave. I did wear tight pants, though, because I found out that it worked."


"You name it, we had it. It won't happen again. You're not going to duplicate this show."


"You know, this whole thing about Ricky Martin, and how successful that young man is. He's 27, I was 29."
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